<img src='' title='Event Category: Event Cinema' alt='' id='templ_icon_' width='' height='' /> Event Category: Event Cinema

A witch hunt is beginning in Arthur Miller’s captivating parable of power with Erin Doherty (The Crown) and Brendan Cowell (Yerma).

Raised to be seen but not heard, a group of young women in Salem suddenly find their words have an almighty power. As a climate of fear, vendetta and accusation spreads through the community, no one is safe from trial.

Lyndsey Turner (Hamlet) directs this contemporary new staging, designed by Tony Award-winner Es Devlin (The Lehman Trilogy). Captured live from the Olivier stage at the National Theatre.

“Gripping revival of Arthur Miller’s masterpiece speaks to us with urgent force” Telegraph ★★★★★

The Crucible
by Arthur Miler
directed by Lyndsey Turner

Emilia Clarke (Game of Thrones) makes her West End debut in this 21st century retelling of Anton Chekhov’s tale of love and loneliness.

A young woman is desperate for fame and a way out. A young man is pining after the woman of his dreams. A successful writer longs for a sense of achievement. An actress wants to fight the changing of the times. In an isolated home in the countryside, dreams lie in tatters, hopes are dashed, and hearts broken. With nowhere left to turn, the only option is to turn on each other.

Following his critically acclaimed five-star production of Cyrano de Bergerac, Jamie Lloyd brings Anya Reiss’ adaptation of Anton Chekhov’s classic play to stage. Filmed live in London’s West End with a cast including Tom Rhys Harries (White Lines), Daniel Monks (The Normal Heart), Sophie Wu (Fresh Meat) and Indira Varma (Game of Thrones).

“A brutally beautiful production” The i ★★★★★

“Brave, compelling and powerful” Guardian ★★★★

The Seagull
by Anton Chekhov, in a version by Anya Reiss
directed by Jamie Lloyd

*Please note, this screening starts promptly at 7pm

Servants Figaro and Susanna are filled with excitement on their wedding day, but there’s a hitch: their employer, the Count Almaviva, has dishonourable intentions of his own towards the bride-to-be.
With more twists than a page boy’s stockings, the story of Mozart’s comic opera will surprise and delight you at every turn. Come for the music and stay for the cross-dressing hilarity, all unfolding over the course of one crazy, topsy-turvy day in the Almaviva household. Royal Opera Music Director Antonio Pappano conducts a truly international cast in David McVicar’s timeless production.

OPERA
Company – The Royal Opera
Music – Wolfgang Amadeus Mozart

The Sleeping Beauty holds a very special place in The Royal Ballet’s heart and history. It was the first performance given by the Company when the Royal Opera House reopened at Covent Garden in 1946 after World War II. In 2006, this original staging was revived and has been delighting audiences ever since. Frederick Ashton famously cited the pure classicism of Marius Petipa’s 19th-century ballet as a private lesson in the atmospheric art and craft of choreography. Be swept away by Tchaikovsky’s ravishing music and Oliver Messel’s sumptuous fairy-tale designs with this true gem from the classical ballet repertory.

BALLET
Choreography – Marius Petipa
Company – The Royal Ballet
Music – Pyotr Il’yich Tchaikovsky

Discover the enchantment of ballet with this sparkling festive treat for the whole family.

Join Clara at a delightful Christmas Eve party that becomes a magical adventure once everyone else is tucked up in bed. Marvel at the brilliance of Tchaikovsky’s score, as Clara and her enchanted Nutcracker fight the Mouse King and visit the Sugar Plum Fairy and her Prince in the glittering Kingdom of Sweets. Peter Wright’s much-loved production for The Royal Ballet, with gorgeous period designs by Julia Trevelyan Oman, keeps true to the spirit of this festive ballet classic, combining the thrill of the fairy tale with spectacular classical dancing.

BALLET
Choreography – Peter Wright after Lev Ivanov
Company – The Royal Ballet
Music – Pyotr Il’yich Tchaikovsky

A modern Mexican classic of magic realism provides the basis for The Royal Ballet’s new full-length work, reuniting Artistic Associate Christopher Wheeldon with the creative team who transformed Alice’s Adventures in Wonderland and The Winter’s Tale into dance, composer Joby Talbot and designer Bob Crowley.

The ballet is inspired by Laura Esquivel’s novel – a captivating family saga where the central character’s emotions spill out through cooking to influence everyone around her in startling and dramatic ways. In this co-production with American Ballet Theatre, Mexican conductor Alondra de la Parra also acts as musical consultant for Talbot’s newly commissioned score, and Wheeldon has worked closely with Esquivel to reshape her richly layered story into an entertaining and engrossing new ballet.

BALLET
Choreography – Christopher Wheeldon
Company – The Royal Ballet
Music – Joby Talbot

Royal Ballet Founder Choreographer Frederick Ashton’s Cinderella celebrates its 75th anniversary this Season. The ballet’s opening night in 1948, featuring Moira Shearer and Michael Somes in the lead roles, was received rapturously. After over a decade away from the Royal Opera House stage, Ashton’s timeless reworking of Charles Perrault’s famous rags-to-riches story returns, showcasing the choreographer’s deft musicality and the beauty of Prokofiev’s transcendent score. A creative team steeped in the magic of theatre, film, dance and opera brings new atmosphere to Cinderella’s ethereal world of fairy godmothers and pumpkin carriages, handsome princes and finding true love.

BALLET
Company – The Royal Ballet
Music – Sergey Prokofiev

In the court of Princess Turandot, suitors who fail to solve her riddles are brutally killed. But when a mysterious Prince answers one correctly, suddenly he holds all the power –and a glorious secret. When life hangs in the balance, can love conquer all? Puccini’s score is rich in musical marvels (featuring the famous aria ‘Nessun dorma’), while Andrei Serban’s production draws on Chinese theatrical traditions to evoke a colourful fantasy tableau of ancient Peking. Antonio Pappano conducts Anna Pirozzi in the title role and Yonghoon Lee as Calaf.

OPERA
Company – The Royal Opera
Music – Giacomo Puccini

When Rosina falls in love with a mysterious young suitor who calls himself Lindoro, she must use all her cunning –and a little help from her local barber –to outwit her calculating guardian Dr Bartolo. Expect heart-melting serenades, ridiculous disguises and a fairytale ending waiting just out of reach. From the barber’s famous opening number ‘Largo al factotum,’ with its cry of ‘Figaro!Figaro!,’ to Rosina’s feisty aria ‘Una voce poco fa,’ Gioachino Rossini’s comic opera is a riotously entertaining affair. Rafael Payare makes his Royal Opera House debut conducting an outstanding internationalcast that includes Andrzej Filończyk, Aigul Akhmetshina, Lawrence Brownlee and Bryn Terfel.

OPERA
Company – The Royal Opera
Music – Gioachino Rossini

Approximately 3 hours 45 minutes (including two intervals)

A dazzling showcase marking 60 years of the Friends of the Royal Opera House.

The Royal Ballet’s dazzling Principals lead an evening not to be missed, their sparkling talents a perfect fit for a diamond anniversary. Celebrating the 60^th anniversary of The Friends of Covent Garden, this programme recognises the amazing support of all ROH Friends past and present.

The showcase will demonstrate the breadth and diversity of The Royal Ballet’s repertory in classical, contemporary and heritage works. It will also include world premieres of short ballets by choreographers Pam Tanowitz, Joseph Toonga and Valentino Zucchetti as well as The Royal Ballet’s first performance of For Four by Artistic Associate Christopher Wheeldon and a performance of George Balanchine’s Diamonds.

BALLET
Company – The Royal Ballet