<img src='' title='Event Category: Event Cinema' alt='' id='templ_icon_' width='' height='' /> Event Category: Event Cinema

The peasant girl Giselle has fallen in love with Albrecht. When she discovers that he is actually a nobleman promised to another, she kills herself in despair. Her spirit joins the Wilis: the vengeful ghosts of women hell-bent on killing any man who crosses their path in a dance to the death. Wracked with guilt, Albrecht visits Giselle’s grave, where he must face the Wilis – and Giselle’s ghost.

Peter Wright’s 1985 production of this quintessential Romantic ballet is a classic of The Royal Ballet repertory. Set to Adolphe Adam’s evocative score and with atmospheric designs by John Macfarlane, Giselle conjures up the earthly and otherworldly realms in a tale of love, betrayal and redemption.

BALLET
Music – Adolph Adam – Edited by Lars Payne
Choreography– Marius Petipa after Jean Coralli and Jules Perrot

Virginia Woolf defied literary conventions to depict rich inner worlds – her heightened, startling and poignant reality. Resident Choreographer Wayne McGregor leads a luminous artistic team to evoke Woolf’s signature stream of consciousness writing style in this immense work that rejects traditional narrative structures. Woolf Works is a collage of themes from Mrs Dalloway, Orlando, The Waves and Woolf’s other writings. Created in 2015 for The Royal Ballet, this Olivier-award winning ballet triptych captures the heart of Woolf’s uniquely artistic spirit.

BALLET
Music – Max Richter
Choreography– Wayne McGregor

At one of her lavish parties, celebrated Parisan courtesan Violetta is introduced to Alfredo Germont. The two fall madly in love, and though hesitant to leave behind her life of luxury and freedom, Violetta follows her heart. But the young couple’s happiness is short-lived, as the harsh realities of life soon come knocking.

As intimate as it is sumptuous, La traviata features some of opera’s most famous melodies, and is a star vehicle for its leading soprano role sung by Ermonela Jaho. In director Richard Eyre’s world of seductive grandeur, the tender and devastating beauty at the centre of Verdi’s opera shines bright.

OPERA
Music – Giuseppe Verdi
Conductor – Antonello Manacorda
Sung in Italian with English subtitles.

The magician Herr Drosselmeyer needs to save his nephew. Hans-Peter has been transformed into a Nutcracker; the only way to save him is for the Nutcracker to defeat the Mouse King and find a girl to love and care for him. A flicker of hope comes in the form of the young Clara, whom Drosselmeyer meets at a Christmas party. With some magic, a cosy Christmas gathering turns into a marvellous adventure.

Peter Wright’s The Nutcracker has enchanted audiences since its 1984 premiere by the Company. Featuring Tchaikovsky’s most familiar melodies and brought to life by Julia Trevelyan Oman’s exquisite designs, The Nutcracker is sure to be a festive firecracker for all ages.

BALLET
Music – Pyotr Il’yich Tchaikovsky
Choreography – Peter Wright after Lev Ivanov

Stuck at home and put to work by her spoiled Step-Sisters, Cinderella’s life is dreary and dull. Everything changes when she helps a mysterious woman out…With a little bit of magic, she is transported into an ethereal new world – one where fairies bring the gifts of the seasons, where pumpkins turn into carriages, and where true love awaits.

This enchanting ballet by The Royal Ballet’s Founding Choreographer Frederick Ashton is a theatrical experience for all the family and will transport you into an ethereal world where a sprinkling of fairy dust makes dreams come true.

BALLET
Music – Sergey Prokofiev
Choreography – Frederick Ashton

Lise, the only daughter of Widow Simone, is in love with the young farmer Colas, but her mother has far more ambitious plans for her. Simone hopes to marry her off to Alain, the son of the wealthy proprietor Thomas. Desperate to marry Colas rather than Alain, Lise contrives to outwit her mother’s plans.

65 years after its premiere, The Royal Ballet presents Frederick Ashton’s La Fille mal gardée. This affectionate portrayal of village life combines exuberant good humour and brilliantly inventive choreography in what is undoubtedly Ashton’s love letter to the English countryside. La Fille mal gardée whisks us away into pastoral bliss with Ferdinand Hérold’s cheerful score and Osbert Lancaster’s colourful designs.

BALLET
Music – Ferdinand Hérold
Choreography – Frederick Ashton

Following triumphant Met turns in Roméo et Juliette, La Traviata, and Lucia di Lammermoor, Nadine Sierra summits another peak of the soprano repertoire as Amina, who sleepwalks her way into audiences’ hearts in Bellini’s poignant tale of love lost and found. In his new production, Rolando Villazón—the tenor who has embarked on a brilliant second career as a director—retains the opera’s original setting in the Swiss Alps but uses its somnambulant plot to explore the emotional and psychological valleys of the mind. Tenor Xabier Anduaga returns after his acclaimed 2023 Met debut in L’Elisir d’Amore, co-starring as Amina’s fiancé Elvino, alongside soprano Sydney Mancasola as her rival, Lisa, and bass Alexander Vinogradov as Count Rodolfo. Riccardo Frizza takes the podium for one of opera’s most ravishing works.

OPERA
Music – Vincenzo Bellini
Conductor – Riccardo Frizza
Sung in Italian with English subtitles.

In war-torn Rome, Floria Tosca and Mario Cavaradossi live for each other and for their art. But when Cavaradossi helps an escaped prisoner, the lovers make a deadly enemy in the form of Baron Scarpia, Chief of Police. At the mercy of Scarpia’s twisted desires, Tosca is forced to make a horrific bargain: sleeping with the man she hates in order to save the man she loves. Can she find a way out?

A star-studded cast includes soprano Anna Netrebko performing the role of Tosca, tenor Freddie De Tommaso as Cavaradossi, and bass-baritone Gerald Finley as Scarpia, with Music Director of The Royal Opera Jakub Hrůša conducting his first new production in the role. An alternative, modern-day Rome provides the backdrop for Oliver Mears’ unmissable, gripping new production of Puccini’s thriller.

OPERA
Music – Giacomo Puccini
Conductor – Jakub Hrůša
Sung in Italian with English subtitles.

The spectacular sculptures and paintings of Michelangelo seem so familiar to us, but what do we really know about this Renaissance giant? Michelangelo’s genius is evident in everything he touched. Beautiful and diverse works such as the towering statue of David, the moving Pietà in the Papal Basilica of St. Peter and his tour-de-force, the Sistine Chapel ceiling, still leave us breathless today.

Spanning his 88 years, Michelangelo – Love and Death takes a cinematic journey through the print and drawing rooms of Europe through the great chapels and museums of Florence, Rome and the Vatican to seek out a deeper understanding of this legendary figure’s tempestuous life, his relationship with his contemporaries and his incredible legacy.

Through expert commentary, stunning visuals and Michelangelo’s own words, this film takes a fresh look at a master artist whose life and genius are celebrated in every mark he made. Returning to cinemas in 2025 to celebrate this iconic artist’s 550th birthday.

Sculptor, painter, architect, poet, genius – discover why Michelangelo is without a doubt one of the greatest artists of all time.

1hr 30 mins // UK 2017

Winner of over 35 awards, experience the best of British Musical HER-story in a live capture of the must-see musical sensation, SIX the Musical. The Original West End cast reunite at London’s Vaudeville Theatre in front of a sold-out audience to strut their stuff and re-write their Tudor traumas in an unmissable cinematic recording of the show packed full of style, sass, and sensational songs.

Watched by audiences of over 3.5 million, SIX the Musical, has become a global theatre phenomenon since it’s 2017 debut at Edinburgh Festival Fringe, where it has redefined the boundaries of musical theatre. The show tells the extraordinary story of the six wives of King Henry VIII, who step out of the shadow of their infamous husband and reclaim their own narratives.

Written by Toby Marlow and Lucy Moss, the pop-inspired musical brings the queens – Catherine of Aragon (Jarnéia Richard-Noel), Anne Boleyn (Millie O’Connell), Jane Seymour (Natalie Paris), Anne of Cleves (Alexia McIntosh), Katherine Howard (Aimie Atkinson), and Catherine Parr (Maiya Quansah-Breed) — right into the 21st century with infectious, empowering performances, accompanied by the on-stage band, the Ladies in Waiting.