<img src='' title='Event Category: Event Cinema' alt='' id='templ_icon_' width='' height='' /> Event Category: Event Cinema

Frida Kahlo is a phenomenon. She is arguably the world’s favourite female artist – beloved by young and old. Exhibition on Screen’s award-winning film – first released during covid to a restricted audience – is back by popular demand with an exciting new addition from the blockbuster transatlantic exhibition from Tate Britain and MFA Houston ‘Frida Kahlo: the Making of an Icon’.  Back in the cinemas in May 2026, one month before the Tate exhibition opens, allowing audiences to watch both the film and see the show.

Who was Frida Kahlo? Everyone knows her face but who was the woman behind the bright colours, the big brows and the floral crowns? Take a journey through the life of a true icon, discover her art, and uncover the true story of her rebellious, passionate and turbulent life.

Making use of the latest technology to deliver previously unimaginable quality, we take an in-depth look at key works throughout her career. Using letters Kahlo wrote to guide us, this definitive film reveals her deepest emotions and unlocks the secrets and symbolism contained within her art.

Exhibition on Screen’s trademark combination of interviews with those who knew her and world experts, commentary and a detailed exploration of her art, combined with new special bonus footage from the 2026 Tate exhibition, delivers a treasure trove of colour and emotion. This personal and intimate film offers privileged access to her works, her home, her studio and highlights the source of her feverish creativity, her resilience and her unmatched lust for life, beauty and revolution.

Created in close collaboration with world experts and those who knew her.

1hr 30 mins

Princess Odette is bound by a curse, turned into a swan by the evil sorcerer Von Rothbart. The spell can only be broken by a pledge of eternal love. When she meets Prince Siegfried, he is immediately enamoured by her fragile beauty and pledges to free her. But freedom is not promised for Odette as Von Rothbart conspires to thwart the lovers’ plans.

Liam Scarlett’s production for The Royal Ballet brings together Tchaikovsky’s towering score and John Macfarlane’s picturesque designs to create an enduring ballet spectacle of love, treachery and forgiveness.

BALLET
Music – Pyotr Il’yich Tchaikvosky
Choreography – Marius Petipa, Lev Ivanov

At a garden party on a sunny afternoon, Alice is surprised to see her parents’ friend Lewis Carroll transform into a white rabbit. When she follows him down a rabbit hole, events become curiouser and curiouser…As Alice journeys through Wonderland, she encounters countless strange creatures. She’s swept off her feet by the charming Knave of Hearts, who’s on the run for stealing the tarts. Confusion piles upon confusion. Then Alice wakes with a start. Was it all a daydream?

Christopher Wheeldon’s Alice’s Adventures in Wonderland burst onto the stage in 2011 in an explosion of colour, stage magic and inventive, sophisticated choreography. Joby Talbot’s score combines contemporary soundworlds with sweeping melodies that gesture to ballet scores of the 19th century. Bob Crowley’s wildly imaginative, eye-popping designs draw on everything from puppetry to projections to make Wonderland wonderfully real. The result shows The Royal Ballet at its best, bringing together world-class dance with enchanting family entertainment and ingenious music and design.

BALLET
Music – Joby Talbot
Choreography – Christopher Wheeldon

Spurred on by a bet, two young men hatch a plan to test the fidelity of their girlfriends. What follows is a slippery game of seduction and power, the four lovers plunging into a dizzying world of shifting reality, where truth becomes increasingly unstable.

Così fan tutte has lost none of its sting since it first scandalised audiences in 1790. In her Main Stage debut, Netia Jones, Associate Director of The Royal Opera, reimagines Mozart’s comedy of manners through a sharp contemporary lens, where 18th-century romantic trickery meets deeply satirical high-tech deceit. Taking on the roles of the lovers is an exciting young cast led by Louise Alder, Simone McIntosh, Mingjie Lei and Huw Montague Rendall, with Gerald Finley as their manipulative game-master Don Alfonso and Emily Pogorelc as Despina. Thomas Hengelbrock conducts, bringing out the exquisite melodies that underpin the provocative, and resolutely modern, themes at the heart of the opera.

OPERA
Music – Wolfgang Amadeus Mozart
Conductor – Thomas Hengelbrock

An earth in ruin. The twilight of the Gods.

Deception leads to treachery, then devastation, when Siegfried is tricked into betraying Brünnhilde. Learning the truth of her beloved’s innocence, Brünnhilde at last returns the ring to the Rhinemaidens, before ordering that Valhalla be swallowed in flames. For the long-awaited finale of Wagner’s epic saga, director Barrie Kosky situates the rich apocalyptic drama in a contemporary world of dream-like turmoil. Antonio Pappano, Conductor Laureate of The Royal Opera, returns to take on the impassioned, otherworldly music – including Siegfried’s transporting Funeral March and Brünnhilde’s electrifying Immolation Scene. The brilliant cast is led by Elisabet Strid, Andreas Schager and Mika Kares, who together with the full forces of the Orchestra of the Royal Opera House and the Royal Opera Chorus bring opera’s greatest journey to its shattering end.

OPERA
Music – Richard Wagner
Conductor – Antonio Pappano

Puccini’s exhilarating drama of the Wild West returns in a new staging by Richard Jones, marking the company’s first new production of La Fanciulla del West in more than 30 years. Soprano Vida Miknevičiūtė makes her Met company debut singing the role of Minnie, the tough tavern owner with a heart of gold who finds love when she least expects it. Tenor SeokJong Baek is the dashing bandit who rambles into the remote California mining town to steal her heart, opposite baritone Christopher Maltman as the lawman determined to deliver justice—and win Minnie for himself. Maestro Keri-Lynn Wilson takes the podium to conduct one of opera’s most action-packed adventures, live from the Met stage to cinemas worldwide.

OPERA
Music – Giacomo Puccini
Conductor – Keri-Lynn Wilson

At a cosy Christmas party, young Clara meets the mysterious magician Drosselmeyer, who gives her a nutcracker doll. When the guests have departed and the house is asleep, Clara sneaks downstairs in search of the doll. Instead, she finds Drosselmeyer, who whisks her away on a journey into a whole world of enchantment: fantastical landscapes of flurried snow and glittering confection where toys come alive and the magic never stops.

Peter Wright’s production of this festive family favourite sparkles to the wondrous swell of Tchaikovsky’s orchestral score, alongside the glow and grandeur of Julia Trevelyan Oman’s period designs.

BALLET
Music – Pyotr Ilyich Tchaikovsky

Under the oppressive heat of the Spanish sun, the fiercely independent Carmen attracts the attention of Don José. She warns him not to fall in love with her, but his obsession knows no bounds. Damiano Michieletto’s searing production returns, casting scorching light on the lust, violence and destructive desire of Bizet’s ever-popular opera.

An all-star cast brings this white-hot drama to life, with Ginger Costa-Jackson in the fiery title role, alongside Russell Thomas as the jealous and despairing Don José. Following his 2023 Royal Opera debut, Sesto Quatrini returns to conduct Bizet’s electrifying and sensual score.

OPERA
Music – Georges Bizet
Conductor – Sesto Quatrini

In the seedy underbelly of 18th-century Paris, money is king. Nothing is sacred – even love itself can be bought for the right price. A native of this hedonistic underworld, Manon is caught between twin desires when she falls in love with the student Des Grieux. Steadfast and devoted, he offers the possibility of an honourable life. Yet, the riches promised by the world of Parisian society remain tempting…

Manon’s inner turmoil and struggle for survival lie at the devastating heart of Kenneth MacMillan’s 1974 adaptation of Abbé Prévost’s novel. In this signature work of The Royal Ballet, MacMillan’s nuanced understanding of human psychology makes for an unflinching look into the moral degradation of Manon’s Paris, while all its decadence and decay are brought to life through Jules Massenet’s score and Nicholas Georgiadis’s designs.

BALLET
Music – Jules Massenet
Choreography – Kenneth MacMillan

Two of opera’s most extraordinary artists return to The Met: Live in HD for Verdi’s thrilling take on the immortal Shakespearean tale of the scheming couple determined to seize power at any cost. Following past triumphs in many of Verdi’s signature baritone roles, Quinn Kelsey is the Scottish king haunted by the ghosts of his murderous ascent to the throne, opposite Lise Davidsen—the world’s reigning dramatic soprano—as the power-mad Lady Macbeth, whose ruinous ambition damns them both. Met Music Director Yannick Nézet-Séguin takes the podium for a penetrating production by Louisa Proske, a brilliant young director making waves around the world. Rounding out the all-star cast are tenor Freddie De Tommaso as the heroic Macduff and bass-baritone Ryan Speedo Green as Macbeth’s friend-turned-victim Banquo. This production is part of the Met’s award-winning Live in HD series, bringing opera to cinemas across the globe.

OPERA
Music – Giuseppe Verdi
Conductor – Yannick Nézet-Séguin